Ear 'ere

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As someone who aspires to be a musician I know the importance of a good musical ear, but it is something I have not specifically worked on much. I remember at school a music teacher would test us on picking out intervals, but I was not particularly good at it. Since then I have played a lot of music, mostly on guitar, and find I can pick out some tunes fairly well just by feel. Generally if you can work out what scale a tune uses it is not too hard. I tend to do this by 'feel' rather than instinctively knowing that intervals are involved.

Ear
Image from Wikimedia

I have decided to make more of a dedicated effort to improving this aspect of my musical abilities. I do not expect to achieve perfect pitch. That is a fairly rare ability where people can hear a note in isolation and know it is a C, for example. If you do not develop this in early childhood then it seems you are unlikely to be able to learn it later. Relative pitch is being able to hear the difference between notes and can be as useful most of the time.

The internet is full of material that could be useful. I have been looking at various videos on Youtube and eventually found The Musical Ear from a British guy called Julian Bradley. His angle is that you work out tunes relative to one particular key rather than the actual key of a song. I think the idea is that you get really used to that key. Later you can adapt to other keys.

You can find with some teachers that they say you have to learn all the possible intervals (12 within an octave), whereas Julian concentrates on those that are most commonly used in actual music. He points out that a lot of songs use patterns of just a few notes, e.g. root, minor third, fourth and fifth. If you can learn to hear those patterns then it makes it easier to play the tune.

He offers some further lessons if you subscribe to his email list on his site. I suspect this is building to offering a paid course and there are mentions of that in some reviews on his site. I have found some other music teachers are also quite cagey about what they charge. Some of them try to sell you various other things with 'limited time discounts' before you have even started the first paid course and that can put me off. I will see where he takes it.

In the meantime I will try to fit some more ear training practice into my day. He suggests some intervals you should work on and so I will try doing a different one each day over a week. I am starting with the whole tone by playing notes on my guitar and trying to sing the other. This is pretty easy going up as they will be the first two notes of a scale (do, re). Going down is a little harder and so I need to really work on this. You really have to feel the notes as this is not something you can see or touch.

Although I have played music for decades I have not spent that much time studying how music actually works. That is not essential to being a musician, but I feel it can add to the experience. I do like to analyse things generally.

Talking of analysing, this series on Netflix is interesting as it dives into how songs are created. I also want to improve my songwriting, so I hope to pick up some tips.



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14 comments
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How I wish I could play my keys again, I do miss it. No space to set it all up so it sits on the top shelf accumulating dust. It's a bit faulty too, and needs a repair. Does anyone repair stuff these days?

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There are people who repair various items. We were actually getting our iron repaired as it may cost less than a new one. I have a keyboard, but rarely play it. I could use it for testing my ear, but the guitar does the job and it takes up space.

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One of my biggest regrets from my time in band is that I never learned to read music. Being in the percussion section we never really needed to learn notes, just rhythms. I have tried over the years to learn where the notes fall and be able to pick them out, but it is just something I don't have the patience for now.

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I learnt to read music at school and classical guitar lessons, but it is another thing that I could do with practising more. I know a lot of guitarists shy away from it, but the basics are not that hard. Reading rhythm is the harder part I find.

The thing with music is that you can learn it at any age, but picking it up as a kid gives you an advantage. My dad took up guitar in his 70s. It can be a good mental exercise.

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Maybe I will get there some day!

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That teacher does the basics here. He says readying rhythm is not so important as you can hear that anyway. It's fairly rare that you are asked to sight read without hearing a piece.

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I have found myself over the months of lockdown trying to get to grips with a bit more of theory in general. It is a rabbit hole indeed as you think you know a it and then start digging and realise you know little!

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There is so much to learn about, so you have to find an angle to work on. Actually knowing what you are hearing seems like a fundamental part that should be worth working on.

I would like to know more about jazz, but that's a whole other thing with all those weird chords and scales. I did a course on that a few years back and found it really hard.

!ENGAGE 20

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I have oft been intrigued by jazz but when it comes to jazz on the guitar there is a frightening amount of styles and rhythmic variations with slaps and stuff. I do like a bit of it and learned some chords which sound wonderfully jazzy. It is all in the hearing. Recently I was listening to a guy playing regular thirds and flattened ones and he was playing the third interval up an octave and it was eye opening because it sounds so beautiful yet is such a simple thing - Encourages you always to keep on expanding that repertoire

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I've been playing some Django Reinhardt rhythm parts in my duo. He used some different chords due to his injured fingers. I ought to learn more about those. Mostly I stick with the basic major/minor/7th chords.

I tend to get in a rut with my playing doing stuff I know. Have to challenge myself now and then to move on.

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Thank you for your engagement on this post, you have recieved ENGAGE tokens.

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My sister has a crazily accurate sense of pitch and seems to be a natural at hearing things and being able to play them. Well, she did but not so much these days. I don't recall her ever having lessons and I don't think she can read music, just a great ear (or two).

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Some people are naturals, but I think you can improve if you work on it.

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