Portrait of M. \ Emotions lead the body - part 02

The most difficult thing on the shoot was to liberate yourself. Looking at a completely familiar environment - a model, an interior - to see a field of options, opportunities for poses and scenes. And it's not the easiest task to be able to see beyond your usual gaze. And if you see for yourself, you can direct the model, right?

The task is complicated by the fact that we are not talking about poses as such. It is important for me not to restrict the freedom of the model, which means that everything I offer her is circumstances, motives, and the nature of actions. And it should be close to her, as the role should suit the actress. otherwise, there will not be this desired outburst of emotions and beauty.