Moscow spotted street. Part 3

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A lot of people began to appear closer to Yaroslavsky railway station. But at the same time, it became uncomfortable to take pictures. There is a contingent of people at the train stations and some may react negatively.

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But, fortunately, no one even looked askance.

The telephoto lens in the street has its advantages.

Because of the camera's distance from the subject, it's never clear who exactly I'm shooting.

But I don't have a goal to make myself more inconspicuous, my task is to collect spots!

There are three important key points to learn in photography.

First, you need to shoot so that you don't have to resort to long-term processing later.

If it takes more than two minutes to process the photo, the frame failed.

The image only needs to be adjusted for brightness and contrast.

Second: the art of framing.

It's better to shoot so that you don't have to frame at all.

But if you can't do without framing, then you need to monitor every element in the frame and be responsible for it.

Often, I regretfully cut off one or another part of the frame, for the sake of composition.

Third: the art of selection.

I have repeatedly told you about the selection that you need to show only your best pictures.

But that's not all. Also, to create a selection, it is necessary to take into account the nature of the content, so that the plot does not repeat itself, so that there are different plans.

Also, selection is sometimes the creation of some kind of story, in this case it is necessary to take into account the sequence.

Moscow feels easier for me than St. Petersburg.

I've been there and there about the same number of times, and I've shot a street there and there.

But Moscow no longer steals attention, but St. Petersburg steals.

In any case, my collection has been replenished with spotty plots!



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