Lisitsinsky quarry. Part 2

I always say: it seems that you can shoot a whole ton of such scenes, but no...it seems. You are always within the framework of your creative wave, and in each there is a certain limit that is laid in your consciousness.

So that you understand, a shot taken with an offset of a millimeter is not an independent work of art.

There are takes, but there is a change of plot.

Here you can make as many duplicates as your stock of flash cards allows.

But the task of the double is to capture the details and bring them to perfection, so that later you can choose the best of them.

There can be a lot of plots too, but you will make a selection of them too.

This is the limitation of the number of plots.

It's like mining for gold. First, you wash out a pile of sand to find at least one yellow pebble.

And then you begin to smelt one whole from these finds, while removing a heap of slag.

Chaotic graphics are an experiment, and aesthetic graphics are close to art.

An ingot of gold or a piece of jewelry will not be ready soon, but you need to strive for it every day, polish the edges, bring it to perfection.

To do this, sometimes you need to scoop up silt from the bottom, go out of the way, go into experiments.

The main thing is not to get stuck! You need to constantly move.

Oh, this life, which is equal to movement.

I recently reviewed many different old photography books that I have in my personal library.

And there I found a lot of graphics.

It turns out to be an eternal plot, this is a classic!

As always, I found confirmation of what I came to myself.

The main thing is that it is not the only genre in which you shoot.

Or you must be a maestro in this genre!

To be continued...