Courtyard spaces. The Center-2

In the process of studying the metaphysics of space, I not only reflect on what is happening now, but also often go back to the past to find the source code.

I'm trying to remember how I felt as a child, what I felt when I wasn't taking pictures yet.

I have been keeping a diary since I was 15 years old, and up to this point I drew a lot, and drawings are also a kind of guides to the past.

I drew mostly cars, but also sometimes spaces. Yes, in general, it does not matter what is drawn, the main thing is the memory code itself embedded in the drawing.

It can be any nonsense, but if you were conscious at the time of drawing and felt something (pleasure, sadness, euphoria, inspiration, etc.), then it is recorded.

However, not everyone can read it later.

But!

Why do people admire the paintings of world artists so much? Not because they are known, but because they contain a whole set of emotions.

Many people can feel this set inherent in the creative manifestation of a person, but not everyone understands the mechanism. Everything happens unconsciously.

But you don't always have to be famous to create masterpieces. It is important to lay down the real you, be sincere to yourself and just do it for fun.

This applies to everything: music, cinema, photography, painting, something made by hands, poetry and everything else that concerns creativity.

That's how I choose my music. If there is no expression in it, that you don't want to listen to it. And genres can be very diverse, but the main thing is the code.

Many will understand what we are talking about here. Usually they say about such people "talent from God".

But I will say a little differently: if you are sincere, honest and create something from the heart, then this "talent from God" can be developed and manifested.

...These are all just my personal observations and they may not coincide with the opinions of others.

...One of the courtyards of the center turned out to be unexpectedly interesting and cozy.

Here is a newly built strange house, which is also surrounded by no less strange buildings of incomprehensible purpose to me.

So I went into the yard, looked around, and if it's nice for me to be in this place, then I can stand, try to feel myself here.

And then I take a picture of this place during the peak of these sensations.

And when I look at the picture, these feelings come back again.

And there are places where I feel uncomfortable to be.

But if I still take a picture of an unpleasant place for me, then the sensations will also be recorded and I will remember how it was.

I usually take pictures of places I like.

But in pre-documentary projects like dugouts or dilapidated housing, it can sometimes be creepy.

Well, the sensations are different, but it's good if they exist at all. After all, very often we just walk down the street that we walk day after day and don't feel anything anymore. But if you take a picture in this case, then nothing will be recorded in it. I also have such photos.